“Correspondences and Elevation” at NextSpace San Jose continuing into January 2012

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Photos Daniel Garcia / Content Magazine
Daniel Garcia is Cultivator at Content Magazine and recently took this series of photos during “PitchCrawl“, an event organized by Tracy Lee of DishCrawl: beginning at the Tech Shop, crawling to Next Space, and ending at the Irish Innovation Center.

The dates of the show have been extended and the ensemble of paintings “Correspondences and Elevation” is still on display at NextSpace San Jose.
It comprises a series of crylic on canvas and mixed media on canvas. Sizes varies and are either 60″x36″, 48″x36″ or 36″x36″.

NextSpace Coworking + Innovation San Jose
97 S. 2nd St, Suite 100
San Jose, CA 95113
Open Monday to Friday, from 8:30am to 5:30pm.
nextspacesj@nextspace.us

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“Correspondences and Elevation” at NextSpace San Jose

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Acrylic on canvas and mixed media on canvas. Sizes are either 60″x36″, 48″x36″ or 36×36″. The ensemble of nine paintings is on view until the end of 2011.

NextSpace Coworking + Innovation San Jose
97 S. 2nd St, Suite 100
San Jose, CA 95113
Open Monday to Friday, from 8:30am to 5:30pm.
nextspacesj@nextspace.us

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“Alice” at Space 4 Art

Group Exhibition / Drawing Expanses: Expanding the Traditional Definition of Drawing.
Space 4 Art / San Diego, CA
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June 11 – July 17, 2011

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Alice, Installation of 9 drawings, acrylic and ink on book pages (Alice in Wonderland)
mounted on wooden board. Installation dimension: width: 64” x height: 37”, 2011.

Statement for Alice

My drawings are about interpreting a complex world using a spontaneous medium.
Economical / simple means and simple materials matter.
The process is about resisting the speed/experiencing slowness and loving “hands on” making.
In my practice, I am using a variety of medium (traditional and nontraditional) and drawings on paper is a thread through my work, using personal experience, words, signs, appropriating popular tales like Alice in Wonderland (Alice’s installation of drawings) or exploring current science topic like genetic manipulation (Biodiversity Series) . They usually go in series, and they are often mixed with other media (painted walls, video).

Curators
David White, founder of Agitprop
and Karen McGuire of the Cannon Art Gallery

Curated and juried by local art experts, Karen McGuire and David White, the show is an overview of the expansive potential of drawing in contemporary art. Drawing continues to evolve as a medium, encompassing flat work, sculpture, performance, photography and video. From the most traditional to the most experimental, all forms of drawing share the common language of mark making, gesture, notation and line. “Drawing Expanse” will illuminate the ways in which drawing continues to influence art.

Space 4 Art
325 15th Street
San Diego CA 92101

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“Defragmentation 66″ / Phantom Galleries

An installation of paintings and videos
Solo Exhibition / Phantom Galleries / San Jose, CA
June – December 2011

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Defragmentation, 48"x10", mixed media on canvas

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Defragmentation, 48"x10", mixed media on canvas

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Installation viewable from the sidewalk. The videos are running from 10 am to 10 pm every day.

Defragmentation 66 is part of South First Fridays art walk August 5, 2011. from 7pm to 11pm. Detailed program here.

Videos in the installation
Timeline
Defragmentation 66 videos

Phantom Galleries
66 South First Street
San Jose, CA 95113
408.271.5151

Phantom Galleries is produced by Two Fish Design, in partnership with the San Jose Downtown Association and the San Jose Redevelopment Agency.

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“Defragmentation: Rearranging Bits and Pieces of Memory” at Project X Art Gallery

An installation of paintings and video
Solo Exhibition / Project X Art / Solana Beach, CA.

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“I just moved to the Bay Area, and am coming back to San Diego to show ‘bits and pieces of memory.’ I never had a very good memory – that may be why I take so many photographs and videos. The installation is based on photos and video I took over the years and transformed via editing, painting, and digital manipulation. The idea of defragmentation came from watching a computer defragmenting a hard disk. The installation works the gallery like a large file system – tying together memories while making space for the ones to come.”

Michele Guieu, August 2010.

Video “Timeline”

Project X Art
320 So. Cedros Avenue – Suite 500
Solana Beach, CA 92075

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“The Bedroom Series” / Vacancy 3

Vacancy 3 / One night / One empty Apartment / San Diego, CA.
July 11, 2010

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Katherine Sweetman

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Armando de la Torre

Drew Snyder

Drew Snyder

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Lori Lipsman

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26 photos of bedrooms taken by 26 different artists, each print is 11×19″.

Vacancy is an interesting concept developed by Lori Lipsman. Some time to time a tenant leaves an apartment she owns in North Park. She then organizes – with not much time – a “one night” or “one day” show with a group of artists, dividing the apartment into spaces for different projects. Last time, for Vacancy 2, I’ve got the living room, this time I’ve got the bedroom. It is an exciting project to work on.

“The Bedroom Series “
Having the space of the (empty) bedroom in the vacant apartment, I decided it would be interesting to ask a group of artists/friends to send me a jpeg of their bedroom. There was no special requirements except sending a photo of the bedroom where one can see the bed and to send a jpeg large enough to be printed with a good definition. I really am interested in “site-responsive” installations, something the Vacancy series seems to be made for!

Artists participating: Irene Abraham, Janie Altmann, Richard ChauDavis , Guillaume Cherel, Armando de la Torre, Andrea Chamberlin, Jean et Julia Dubranna-Uitz, Sam Frazier, Janine Free, Christine Freitas, Richard Gleaves, Carol Graber, Michele Guieu, Craig Kane, David Krimmel, Lori Lipsman, Michael Maas, Eric Meyer, Jfre Robot Coad, Ronaldo P., Wendy and Michael Ruiz , Ivan Sigg, Drew Snyder, Anna Stump, Katherine Sweetman, Maura Vazakas.

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San Diego Museum of Art / Summer Salon Series

“A Different Look at the Permanent Collection”
Intervention
San Diego Museum of ArtSummer Salon Series
July 8, 2010

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I was invited to participate to the Summer Salon Series at the San Diego Museum of Art.Each artist or group of artists was invited for a one night event, held every Thursday during the whole summer. My project revolved around the use of the permanent collection of the museum. Everything was specially made for that evening.

I had banners made specially for the occasion, made a video (projected inside), projected images on the outside walls of the museum, had a workshop for people to participate to, invited a group of music, and a silk-screen printed who printed t-shirts on the spot as give aways.


A Different Look at the Permanent collection“is based on a selection of pieces constituting the museum’s permanent collection.

The people could chose between a t-shirt or a limited edition print (limited editions of 10 each on BFK Rives – 30 prints in total). One is the facade of the museum, one is based on “Mandragora” by Diego Rivera, the third one is based on “After many days” by Thomas Hart Benton.

My workshop took place in Gallery 16. The idea for the people participating to the workshop was to chose a painting which inspires them. To chose a detail or the whole painting and to make an interpretation in black and white of the chosen part. To keep only a few details. They had to draw shapes on a black card stock. Then they could cut the shapes and glue them on a white card stock. I would then take a picture of the person and her piece, in front of the chosen painting.

People told me it was great to work in that beautiful room, it was a “zen” workshop, engaging and open. I had a great time talking to people about the piece they were making. They were happy to be there and to share the moment. The quality of the work was amazing and the final “gallery” was really a beautiful piece!


video Lori Lipsman

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“Correspondences and Elevation” at the San Diego Art Institute

An Installation of Paintings
San Diego Art Institute / Balboa Park / San Diego, CA
June 18 – July 18, 2010

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“Correspondences and Elevation” is a 40×12′ installation of paintings, from floor to ceiling. Each painting is either 60″x36″, 48″x36″ or 36″x36″. The series shown in this exhibition is comprised of paintings inspired by the Pacific ocean and the desert surrounding San Diego, where Michele Guieu lives. Her paintings question the relationship between the human beings and nature which echoes the catastrophe of the massive oil spill happening right now in the Gulf of Mexico.

Seas, oceans and deserts have always been part of Guieu’s life. She was born in Marseille, a French town on the Mediterranean sea. She then lived in Dakar for several years, on the Atlantic Ocean and in the Saharan desert. When living in Paris, she would often go to the Atlantic Ocean. Living in California, she now finds inspiration in both the Pacific Ocean and the surrounding deserts. She spends time watching people walking on the beach. In the desert, the people in the paintings are mostly her family.

Guieu is profoundly attached to empty landscapes and spaces. This attachment was given to her by her father at a young age. “The Flower of Evil”, where one can find “Elevation” and “Correspondences” was the first book of poems her father gave to her when she was in her early teens. She read “Elevation” at his funeral.

These two poems are a hymn to nature and also carry nostalgia and sadness for a lost paradise, which echoes what is happening right now in the Gulf of Mexico..

Michele Guieu takes photos wherever she goes. She then work these photos in Photoshop, keeping only the essential elements. In the end she paints the images on large canvases.

“When I started to organize the pieces that now constitute this series, I used canvases that were identical in height but variable in width. They fit together both physically and in content, like stanzas of a poem. Some of these paintings were originally created as diptychs, and the diptychs appear in their entirety here.

The arrangement and composition of this group of paintings invites change. This composition could absorb new paintings; pieces could be reorganized and presented differently in spaces of different proportions.

For this exhibition, I considered the dynamics of the space first and experimented with the size of the wall and the scale of the art, and the way one can read the piece as a whole from a distance and read each element when being up close.

Each element is a result of my experiments with outdoor spaces. This exhibition is an opportunity for me to experiment with bringing these elements into a relationship with indoor space.

I borrowed the title “Correspondences and Elevation” from two of my favorite Baudelaire poems. Those poems express a connection to a sequence of scenes from a life and a living landscape.”

“Correspondences” by Charles Baudelaire
“Elevation” by Charles Baudelaire

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“Living Room with Ghost and no TV” / Vacancy 2

Vacancy 2 / group show
One Night / One vacant apartment / 15 artists
February 5, 2010

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The exhibition took place at Lori Lipsman‘s who curated and organized it. Four artists had one room each. A special project took place in the kitchen, the “Leftovers Project”. The concept for that project was to re-work some piece already made and transform it for the event.

About “Living Room with Ghost and no TV” or “Watching the campfire”
I worked in the living room. I created a mural about the “TV room”. TV is usually the central element at people’s houses. I personally do not watch TV but I wanted to use one as a “fireplace”, with a video of a campfire I took in Anza Borrego Desert a few weeks ago, when we were camping. So one TV is working, the other one is empty. 2 men are watching.

Sprinkled on the walls are a series of photos taken during dinner time, birthday parties, at family and friends’, at moments where the TV is turned off. Some small paintings are also on the wall.

I worked three days on the installation, and the show was only for one night. Then I painted the walls back to white.

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“Lucy, Darwin and Me” at Art Produce Gallery

December 12, 2009 – January 24, 2010

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View from the sidewalk

View from the sidewalk

Lettering on the window - detail

Lettering on the window - detail

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Main Room - Mural and inks on paper mounted on wood panels

Main Room - Mural and inks on paper mounted on wood panels

Mural and inks - detail

Mural and inks - detail

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Entrance of the Second Room (left)

Entrance of the Second Room (left)

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Series of Photos, Mauritania, Africa, 1975

Series of Photos, Mauritania, Africa, 1975

Video and table containing artifacts

Video and table containing artifacts

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Video screen shot

The articfacts: rocks, notebook, intruments, neolithic tools

The articfacts: rocks, notebook, intruments, neolithic tools

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Talk at the Gallery

Talk at the Gallery

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Four Events part of the Exhibition:
December 12, 2009
Marian Williams tells African tales for children.
Alfusainey Suso plays the traditional West African kora.
January 9, 2010
A casual conversation with the artist, Michele Guieu.
January 16, 2010
Panel Discussion, “Darwin’s Weeds ” with Leslie Ryan, landscape architect, AEREA, a San Diego landscape architecture firm, and Deborah Forster, Dept. of Cognitive Science, UC San Diego.

On the occasion of the 200th anniversary of Charles Darwin’s birth and the 150th anniversary of the publishing of On the Origin of Species, Michele Guieu puts together a show, “Lucy, Darwin and Me,” that celebrates our origins and biodiversity, and evokes the years she spent in Africa, including the trips she took to the Sahara desert with her geologist father and her biologist mother. Michele’s time in Africa coincided with the discovery of the skeleton known as Lucy, the oldest hominid found at the time and named for the Beatles’ song “Lucy in the Sky with Diamonds.”

In this show, constructed like a natural history museum exhibition, Guieu is at the same time the designer, the curator and the artist. And through it, she recalls her formative adolescent years spent in the Sahara with her father and with her family, finding fossils and sleeping under the stars.

The show is a two-room installation, comprised of a series of drawings scattered within a mural and a large cloud of text, period photos from the Sahara, family artifacts, and selected short videos.

Michele Guieu is a San Diego Art Prize 2009 nominee. The show was made possible by collaboration between Patricia Frischer from the San Diego Visual Art Networks (SDVAN), and Lynn Susholtz, director of the Art Produce Gallery. In 2009, Art Produce Gallery has been honored with an Orchid award in the category of Public Art by the San Diego Architectural Foundation.

Michele describes “Lucy, Darwin and Me” as very autobiographical. She says, “I was raised in a family where I always heard about evolution, species and continental drift. It is a natural part of my life. I find it interesting that the country where I live today is profoundly divided about the notion of evolution.

“I started to really consider working specifically for a space with the mural for the San Diego Art Prize show at Noel Baza Fine Art last February. I continued on the same path at the SDAI with my solo show “C’est la Vie”, in June 2009.

“For this show I worked with the specifics of both rooms in the gallery. I use the long wall in the first room for the mural. In the second room, smaller and more intimate, I show the photos of my father and family in Africa circa 1975 and a series of artifacts found in the desert or belonging to my father.”

About the opening festivities, Michele Guieu says: “I believe in bringing energies together, and for that reason, I was very interested in including the music I was listening to and the tales and stories I read when I was a teenager, living in Senegal. I want to share some of this very rich culture by inviting other artists to participate in the event.

“I am thrilled that Leslie Ryan and Deborah Forster accepted the proposition to organize a panel discussion on the occasion of the show. It brings a scientific perspective on evolution to the show and offers the occasion to reflect together on a subject which touches our everyday life.

The gallery events happening around this show are the result of a desire to make the community participate and to open the dialogue. Art Produce is definitely community oriented and this important goal suits very well what I am looking for with my work.

Michele adds: “I am interested in making ephemeral elements, like murals in a gallery. It makes the work less sacred. In this show I wanted to mix different techniques (photo, video, drawing, painting), to create a museum-like ambiance. The first room is inviting from the outside; the second room is more intimate.”

Art Produce Gallery
3139 University Avenue
San Diego, CA 92104
(619) 584 4448

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